Cracking the Canon lens code
Canon lenses have a series of letters and numbers as part of their model names that actually tells you plenty about their capabilities and characteristics. If you are just enjoying your first Canon EOS camera than it’s good to know how the lens names work, and importantly which lenses are the best for yor photography and camera.
Here’s some examples of Canon lenses, some are pretty specialist, others more common
- EF-S 55-250mm f/4-5.6 IS II
- EF 100-400mm f/4.5-5.6L IS USM
- MP-E 65mm f/2.8 1-5x Macro
- TS-E 17mm f/4L
- EF 40mm f/2.8 STM
- EF 100mm f/2.8L Macro IS USM
- EF 600mm f/4L IS II USM
Each element of a lens name explained
- EF – is for Electro Focus
- EF-S – is for Electro Focus with Short back focal design
- MP-E – is for Macro Photography for EOS
- TS-E – is for Tilt Shift for EOS
The F character in the lens name indicates that the lens has a focus motor fitted, it can be automatically focussed by the EOS camera. If the F character is missing then the lens has no focus motor and must be focussed manually.
Since human’s normal vision has a similar angle of view to a 43mm lens then 50mm became a popular standard focal length, and in time zoom lenses that covered the 50mm focal length were often termed “standard zoom”. With the advent of digital EOS cameras with smaller APS-C sensors the angle of view changes. The effect is similar to multiplying the actual focal length by 1.6x. So the 50mm standard lens on an APS-C sensor camera shows the angle of view of an 80mm lens on a full-frame camera.
Shorter focal lengths indicate a lens has a wider angle of view, and conversely longer focal lengths tell of narrower angle of view and the appearance of bring distant objects closer to the camera.
An EF-S 10-22mm f/3.5-4.5 USM for example starts at f/3.5 at the 10mm focal length then the aperture drops to f/4 at 12mm and to f/4.5 around 18mm. Professional photographers are usually keen to have the same maximum aperture throughout the zoom range.
L-series lenses also have a red coloured band around the front too. L was chosen to indicate luxury, and L-series lenses generally have the best optical quality, more durable construction, and in many cases are resistant to dust and water ingress. L-series lenses also employ Canon’s fluorite glass or ultra-low dispersion glass elements and/or certain types of aspherical shaped elements.
- Macro is reserved for lenses that provide the posibility of capturing a subject at 1:1 magnification. Size of the subject is the same on the image sensor.
- IS is used to designate that the lens has an optical Image Stabilizer that can counteract the effects of camera shake. Lenses with IS are often preferred choices and IS is available in many lenses in the current Canon range.
- USM and STM designate the kind of focus motor that is used to drive the focus assembly in the lens. UltraSonic Motor is a fast, silent motor that starts moving quickly and stops without overshoot. It is favoured for higher performance lenses. In 2012 Canon introduced the STepper Motor technology to some lenses that allow them to combine with specific AF sensors configurations to enable continuous tracking focus when shooting movies. If the USM and STM letters are not present and the lens is an autofocus lens then it uses a simple DC motor that is not quite so good.
- DO is Canon’s abbreviation for Diffractive Optics, a special type of lens element within the lens itself bends light using diffraction. The result is a lens that can be made substantially shorter than one using conventional glass elements. Currently there are two DO lenses; EF 400mm f/4 DO IS USM and EF 70-300mm f/4.5-5.6 DO IS USM. DO lenses can be easily identified due to the green ring around the front of the lens.
Canon’s great white lenses…
Not all white lenses are L-series, but most are. The white colour is often thought to be a marketing choice, it certainly provides a clear way for Canon executives to see their market share at sporting events
However the white colour also has a technical merit, long lenses with complex optical arrangements used in hot sunny conditions can grow in length due to the heat, this can cause mis-alignment and the lens performance changes. To minimise the effect the white colour reflects the heat, whereas a black lens would absorb it. Canon’s fluorite glass is particularly sensitive to this minute dimension change so it’s no surprise that most lenses with a white colour also have fluorite glass elements.
The enduring EF lens mount
Alongside the introduction of the Canon EOS cameras in 1987 was the all electronic EF lens mount. Over the following decades the lens mount has stood the test of time with few variants, the EF-S mount introduced with the EOS 300D, and the EF-M mount created for the mirror-less EOS M. Over the decades the all electronic lens mount has enabled Canon to update and improve the flow of information between the body and the lens, creating features and functions that weren’t needed for film cameras, but still keeping compatibility with digital.
It’s strange that when Canon created the first EOS 650 camera the brochure featured the slogan “Designed for the Future” on the front of the brochure.
Canon have produced a book called EF Lens Work III, there have been several editions or revisions over the years as new lenses are introduced. It’s not commonly available, however some years ago a translation in to several European languages was made and the result was that PDF copies of the book were placed on Canon Europe’s website.
Get more from your lenses with Canon software
- Don’t forget that you can maximise the performance of your older EF lenses when you configure your camera with EOS Utility to reduce chromatic aberration and peripheral illumination issues.
- If you shoot RAW then the latest versions of Canon’s Digital Photo Professional also have Digital Lens Optimizer to improve the performance with the latest lenses.